ARTH101 Discussion Topic 12: Art and the Spirit

Using this list of online galleries, find a work of art from a culture other than your own that represents a form of spirituality. Explain why you chose the work you did, and how it represents the spirit. You will need to understand the context in which the artwork was made and how it is used within the culture.


Work of Art Chosen: A 1304 painting (possibly part of a scroll) by Gong Kai of a mythological character named Zhong Kui – the Vanquisher of Hugnry Ghosts, Demons and Evil Spirits. (Image URL: https://en.wikipedia.org/wiki/File:ZhongKui-by-GongKai.jpg)

I chose this work because it depicts a fascinating mythological figure from Tang China. The painting’s main figure is that of Zhong Kui (鍾馗). Although there are varying versions of the tale (see sources below), he is believed to have the ability to vanquish evil ghosts, spirits, and demons. As a spirit and ghost hunter, Zhong Kui had even served Emperor Xuanzong by catching the small demon who had stolen his imperial consort’s perfume bag. To show his gratitude, the Emperor bestowed posthumous honors for Zhong Kui who then vowed to rid the world of mischievous demons.

The painting itself is a bit of a mystery, as there seems to be very little documentation for it – most likely due to how old it is. We can clearly see the main figure being carried by two skeletal-like figures. Only nobles in China were carried by servants; thus, we can safely assume that this is the figure that had received the posthumous title from the Emperor. here is a small black part animal, part human-like figure in the bottom of the painting; but it is difficult to ascertain whether it is an evil figure looking for trouble or something else. I would assume it to be the former, as an artist epicting Zhong Kui in a painting would most likely want to include an evil entity. As Zhong Kui’s stare is fixed on the servant in back of him rather than on the figure lurking in the foreground, it could be a sign that he isn’t impressed at all by the evil entity and could vanquish it at any moment. I would love to be able to travel back in time and hear Gong Kai’s (the rtist) take on the matter, but will have to settle with my version of the speculation for the time being.

Since the Tang era, Zhong Kui has appeared on numerous paintings and portraits hung on the walls of many homes and other areas to ensure protection against evil entities. If the painting or portrait has been blessed by a Taoist priest, it is believed to be at its most effective in repelling evil ghosts, spirits, and demons. Zhong Kui’s presence is particularly elcome and appreciated during Ghost Month and especially on Ghost Day (based on the lunar calendar) by Buddhists, Taoists, and folk religion believers.

Sources:

  1. The Fascinating Story of Chung Kwei, The Ultimate Catcher and Vanquisher of Hugnry Ghosts, Demons and Evil Spirits https://sanaakosirickylee.wordpress.com/2012/07/21/demoncatcher/
  2. Wikipedia – Zhong Kui https://en.wikipedia.org/wiki/Zhong_Kui
  3. Ghosts in Chinese culture (Wikiwand) http://www.wikiwand.com/en/Ghosts_in_Chinese_culture
  4. http://depts.washington.edu/chinaciv/painting/4schfigu.htm#4frekui1

- Dan Fournier, 2016-08-21

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This painting shows the stout Zhong Kui wearing ceremonial attire of an official, holding a stack of books in one hand and carrying a stringed instrument under his other arm. This is most likely intended to demonstrate the cultural refinement of this boorish-looking warrior, who, as the legend relates, once achieved top rank in the civil service examination. Zhong Kui is said to be himself the ghost of a man who failed to pass the civil service examinations and committed suicide. He then became a ghost hunter. There is a story that the once dreamed that a small ghost stole the purse of the imperial consort. A larger ghost - Zhong Kui - captured the smaller one and returned the purse.

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I chose the Virgin of Guadalupe (Miguel Gonzalez, Mexico City) because it represents a good combination between christian tradition and mesoamerican style. The woman represented is the Virgin Mary, who according to the myth revealed herself during the beginning of Spanish invasion in mexico. The artwork is realised by using different material, paint, mother pearl and wood. The little angel around the Saint, tells different moment of the miracle.
I think its interesting how every culture reinterpret figure belonging to the tradition and adapt it to their own personal culture and style. The light and the importance of the Woman are given by the material selected, the pearl is white and pure but at the sam etime precious.

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I chose this painting by Master Basoeki Abdullah. Basoeki Abdullah was an indonesian realist and a naturalist painter who believed in Javanese mythology. One of his masterpieces is a painting that depicts Nyai Roro Kidul , a beautiful mythical queen of the Southern Sea.

“To get the queen’s permission to paint her, he sat on a coral reef to do tirakat [a soul-searching ritual] in the Southern Sea in which he placed an empty bottle. When the bottle returned it was filled with water and a piece of white coral reef,” Tubagus said.

“How did the piece of coral and water get into the bottle? This might be hard to understood, but for Basoeki it was a sign that he had received the queen’s blessing.”

This painting have magical - big energy. In every national and international exhibition guest will stop bout 20-30minutes front of this painting.

sources:

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   Looking at this Tibetian Buddhism painting motivates my sense of curiosity to validate the hidden meaning of the different visual symbols in this artwork. That's why I chose this composition, illustrating; Renunciation frees us from perceived limitations and social conditioning.  It is an idea or feeling of a person to reject or abandoned something from life that gives him material comfort in the interest of achieving spiritual enlightenment. The composition shows an illustration of the Dharma "insider" means someone who seeks the truth within the nature of the mind. The yellow to orange color in the middle of the composition encloses the Dharma using the white circle, is viewed as the focal point. The white circle represents the path to liberation. The lotus flowers surrounding the Dharma represent beauty, which means rising and blooming above the murk to achieve enlightenment. The green color represents nature. Meditate on this color enable to transform jealousy into the wisdom of accomplishment. It may also represent the human connections to the world we live in, it shades of green also represent different modes of environment, separation of man from the reality of the world. Isolation from types of temptation in this world illustrated with four human figures according to its color used in movement portrayed evil desires. The one on the upper left side uses a strong force of action to struck with an intense desire to break the white circle. Other figures use their hands for destruction, disturbing man's desire for silence. The foreground has several traces of white zig-zag lines which denote vibration, and curved red lines mimic the movement of serpents represented as door guardians.

It is interesting to know how Art used in different cultures to presents their spiritual beliefs. Knowing this expands our horizon of learning Art and appreciating its outcome from various places, time, and history.
References: https://upliftconnect.com/four-main-spiritual-practices-tibetan-buddhism/
https://en.wikipedia.org/wiki/Renunciation

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Very nice example

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I have been in Thailand for quite sometime. It really is amazing to see these smaal to medium to grand statues of Buddha. It just shows how people respect and believe on their god.

Santo Spirito Altarpiece (detail)

1521
Oil on canvas
Santo Spirito, Bergamo

Source: https://www.wga.hu/index1.html

This painting show St. John the baptist hugging a lamb. I have chosen this piece of art as it shows the affection and pure love that the infant has for the lamb before it is sacrificed. It is the sacrificial lamb that holds significance here. It is being loved and adored by the infant. The truest and purest form of spirituality is love. That is what I believe. The time when this was made must have been a time of great religious importance placed on the lamb. It depicts God’s creation and His wish. The tool that the infant holds in his hands appears to be a hammer or some kind of weapon to sacrifice the lamb symbolically. It shows that even though we may have certain love for creatures or people, but when God wills it to be sacrificed, it becomes a holy deed. One has to conquer the self to fulfilling ones spiritual and religious duties as commanded by God.